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The Origins of Science Fiction
Nyelv:
Kötés:
Puha kötésű
Oldalak száma:
464
'Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defea ...Teljes leírás
3 712,00 Ft
Részletes információk
| ISBN | 9780198891949 |
|---|---|
| Szerző | Newton Michael |
| Kiadó | Oxford Univ Pr |
| Nyelv | english |
| Kötés | Paperback |
| A kiadás éve | 2023 |
| Oldalak száma | 464 |
Könyv leírása
'Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury?', The
Machine Stops, E. M. Forster This anthology provides a selection of science-fiction tales from the close of the 'Romantic' period to the end of the First World War. It gathers together classic short stories, from Edgar Allan Poe's playful hoaxes to Gertrude Barrows Bennett's feminist fantasy. In this way, the book shows the
vitality and literary diversity of the field, and also expresses something of the potent appeal of the visionary, the fascination with science, and the allure of an imagined future that characterised this period. An excellent resource for those interested in science fiction, and also an essential
volume for understanding the development of the genre. In his introduction, Michael Newton draws together literary influences from Jonathan Swift to Mary Shelley, the interest in the irrational and dreaming mind, and the relation of the tales to the fact of Empire and the discoveries made by anthropology. He also considers how the figure of the alien
and non-human 'other' complicated contemporary definitions of the human being.
Machine Stops, E. M. Forster This anthology provides a selection of science-fiction tales from the close of the 'Romantic' period to the end of the First World War. It gathers together classic short stories, from Edgar Allan Poe's playful hoaxes to Gertrude Barrows Bennett's feminist fantasy. In this way, the book shows the
vitality and literary diversity of the field, and also expresses something of the potent appeal of the visionary, the fascination with science, and the allure of an imagined future that characterised this period. An excellent resource for those interested in science fiction, and also an essential
volume for understanding the development of the genre. In his introduction, Michael Newton draws together literary influences from Jonathan Swift to Mary Shelley, the interest in the irrational and dreaming mind, and the relation of the tales to the fact of Empire and the discoveries made by anthropology. He also considers how the figure of the alien
and non-human 'other' complicated contemporary definitions of the human being.
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