Superhero Blockbusters: Seriality and Politics

This is the first booklength study to examine the enduring popularity of blockbuster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multidimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digitalera popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978's Superman to 2018's Avengers: Infinity War and beyond. It discusses textual and extratextual practices of fan mobilisation, and considers the genre's shared political imaginary and its purchase on contemporary political debates.