After Utopia

The Rise of Critical Space in Twentieth-century American Fiction

Szerző: Nicholas Spencer

Nyelv:

Kötés: Kemény kötésű

Kiadó: University of Nebraska Press

Elérhetőség: Beszállítói készleten

Küldés 9-15 napon belül

17 772 Ft

By developing the concept of critical space, After Utopia presents a new genealogy of twentieth-cent...

Információk a könyvről

Szerző

Nicholas Spencer

Nyelv

Angol

Kötés

Könyv - Kemény kötésű

Kiadva

2006

oldal

276

EAN

9780803243019

ISBN

0803243014

Enbook ID

04923293

Kiadó

University of Nebraska Press

Súly

567

Méretek

160 x 236 x 25

Teljes leírás

By developing the concept of critical space, After Utopia presents a new genealogy of twentieth-century American fiction. Nicholas Spencer argues that the radical American fiction of Jack London, Upton Sinclair, John Dos Passos, and Josephine Herbst re-imagines the spatial concerns of late nineteenth-century utopian American texts. Instead of fully imagined utopian societies, such fiction depicts localized utopian spaces that provide essential support for the models of history on which these authors focus. In the mid-century novels of Mary McCarthy and Paul Goodman and the late twentieth-century fiction of Thomas Pynchon, William Gaddis, Joan Didion, and Don DeLillo, narratives of social space become decreasingly utopian and increasingly critical. The highly varied "critical space" of such texts attains a position similar to that enjoyed by representations of historical transformation in early twentieth-century radical American fiction. After Utopia finds that central aspects of postmodern American novels derive from the overtly political narratives of London, Sinclair, Dos Passos, and Herbst. Spencer focuses on distinct moments in the rise of critical space during the past century and relates them to the writing of Georg Lukacs, Ernst Bloch, Antonio Gramsci, Hannah Arendt, Henri Lefebvre, Gilles Deleuze and Felix Guattari, and Paul Virilio. The systematic and genealogical encounter between critical theory and American fiction reveals close parallels between and original analyses of these two areas of twentieth-century cultural discourse. Nicholas Spencer is an associate professor of English at the University of Nebraska-Lincoln, where he specializes in twentieth-century American literature and critical theory.

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After Utopia

The Rise of Critical Space in Twentieth-century American Fiction

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