Angol
Can an image generated in seconds belong to art history?
Algorithmic Sublime offers a critical defense of generative AI art-one that refuses both technological hype and categorical rejection. John B. Logan traces the medium through photography, conceptual art, the readymade, collage, museums, and digital markets, while confronting copyright, training data, labor, bias, environmental cost, and platform power.
Revised and expanded for 2026, this second edition replaces easy claims of machine creativity with a sharper question: under what conditions can generative AI become responsible, meaningful art?
