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Könyv Brechtian Cinemas: Montage and Theatricality in Jean-Marie Straub and Daniele Huillet, Peter Watkins, and Lars Von Trier Nenad Jovanoviac

Brechtian Cinemas: Montage and Theatricality in Jean-Marie Straub and Daniele Huillet, Peter Watkins, and Lars Von Trier

Szerző: Nenad Jovanoviac
Nyelv: Angol
Kötés: Kemény kötésű
Kiadó: ST UNIV OF NEW YORK PR
Elérhetőség: 50 % esély
Keressük az egész világon
40 595 Ft
Explores the influence of Bertolt Brecht's ideas on the practice and study of cinema.In Brechtian Ci...

Információk a könyvről

Szerző
Nenad Jovanoviac
Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
2017
oldal
276
EAN
9781438463636
ISBN
1438463634
Enbook ID
15174910
Kiadó
ST UNIV OF NEW YORK PR
Súly
566
Méretek
161 x 237 x 25

Teljes leírás

Explores the influence of Bertolt Brecht's ideas on the practice and study of cinema.

In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht's concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brecht's ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brecht's own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillet's History Lessons (1972), Peter Watkins's La Commune (2000), and Lars von Trier's Nymphomaniac (2013). Jovanovic argues that the role of montage-a principal source of artistic estrangement (Verfremdung) in earlier Brechtian films-has diminished as a result of the technique's conventionalization by today's Hollywood and related industries. Operating as primary agents of Verfremdung in contemporary films inspired by Brecht's view of the world and the arts, Jovanovic claims, are conventions borrowed from the main medium of his expression, theatre. Drawing upon a vast number of sources and disciplines that include cultural, film, literature, and theatre studies, Brechtian Cinemas demonstrates a continued and broad relevance of Brecht for the practice and understanding of cinema.

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