Könyv Cameo Rob Doyle

Cameo

Szerző: Rob Doyle
Nyelv: Angol
Kötés: Kemény kötésű
Elérhetőség: Beszállítói készleten
Küldés 3-5 napon belül
7 995 Ft
'A true thrill ride through heaven and hell' GQ'Like Swift before him, Rob Doyle is a social satiris...

Információk a könyvről

Szerző
Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
2025
oldal
256
EAN
9781399631075
Enbook ID
48210158
Súly
500
Méretek
156 x 240

Teljes leírás

'A true thrill ride through heaven and hell' GQ

'Like Swift before him, Rob Doyle is a social satirist of the highest order . . . Cameo is provocative, transgressive, grimly hilarious, and it surely can't be long until he spawns his own adjective. 'Doylean'? Don't rule it out' BENJAMIN MYERS

'Curious, compassionate, filthy, iconoclastic . . . Cameo is mindbending fun and Rob Doyle yet again underlines his legend' LISA McINERNEY

The new novel from Irish Book Award-shortlisted author Rob Doyle: a daring comedy and dazzling meditation on fiction and reality


Cameo is the life story of invented Irish novelist Ren Duka, who has unexpected, runaway international success with a prolific series of autofictional novels.

What begins as a playful satire on literary ambition and the chaos of our times expands into a dazzling, polyphonic odyssey that challenges the border between fiction and reality.

As the Ren Duka novels race outwards in widening circles of influence, we encounter Dina Tatangelo, cult novelist of the New York underworld; a Japanese manga artist whose work eerily affects his family life; a grizzled Dublin taxi driver who just might ferry his passengers between worlds; a film-star facing public disgrace; and Rob Doyle, an author enduring a psychic and ontological crisis.

Cameo
is at once a metaphysical architecture of the imagination, a human comedy full of unruly passions, and a self-portrait across multiple dimensions.

'Where I come from, when something is called mad it's often a good thing. Rob Doyle's new novel is very mad' RODDY DOYLE

'A writer living and thinking his way to the frontiers of human society' SPECTATOR

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