Carl Maria von Weber

Oberon and Cosmopolitanism in the Early German Romantic

Szerző: Joseph E. Morgan

Nyelv:

Kötés: Kemény kötésű

Kiadó: Rowman & Littlefield

Elérhetőség: Beszállítói készleten

Küldés 14-21 napon belül

53 589 Ft

Renowned music historian Philipp Spitta has written that "of all the German musicians of the 19th ce...

Információk a könyvről

Szerző

Joseph E. Morgan

Nyelv

Angol

Kötés

Könyv - Kemény kötésű

Kiadva

2014

oldal

328

EAN

9781442235946

ISBN

1442235942

Enbook ID

04797024

Kiadó

Rowman & Littlefield

Súly

632

Méretek

160 x 238 x 32

Teljes leírás

Renowned music historian Philipp Spitta has written that "of all the German musicians of the 19th century, none has exercised a greater influence over his own generation and that succeeding it than Weber." Spitta's statement reflects Weber's popularity at the end of the nineteenth century-both for his place as a foundational figure of German Romantic opera and for his role in the early German Nationalist movement in music. Indeed, Weber's Der Freischutz is still considered the first German Romantic opera, enjoying a place of privilege in the modern operatic repertoire with performances held the world over and at least two cinematic productions. Despite its enormous popularity throughout the nineteenth century, however, Weber's swan song, Oberon, has remained separate from the mainstream thrust of our modern understanding of German Romantic opera. In Carl Maria von Weber: Oberon and the Cosmopolitanism in the Early German Romantic, music historian and theorist Joseph E. Morgan reassesses Weber's work and aesthetics not just for their influence but also as an expression of the aesthetics and cosmopolitanism that underlay the early Romantic and Nationalist movement in Germany. In a discussion with analyses that features nearly one-hundred musical examples, Morgan tracks the development of Weber's musical style across his career. The investigation culminates with Weber's last and long-misunderstood work, explaining its thematic and harmonic organization, its stylistic idiosyncrasies, and the tenuous place that it holds on the margins of the operatic canon. The discussion is enhanced and corroborated by frequent attention to correlating developments in other art from the period, including painting, poetry and literature. This text will be of interest to students, scholars, and connoisseurs interested in acquiring a new insight on the performance, reception, and aesthetics of early German Romantic opera. Further, because of the interdisciplinary nature of the investigation, anyone interested in the early romantic and nationalist movement in Germany will also certainly find interesting and valuable insights in this book.

Érdekelheti

Azok a vásárlók, akik ezt a könyvet megvásárolták, a következőket is megvásárolták

Leggyakrabban keresett

Categories

Authors

Publishers

Termékek

Termékek

Leggyakrabban keresett

Categories

Authors

Publishers

Termékek

Termékek

Carl Maria von Weber

Oberon and Cosmopolitanism in the Early German Romantic

Információk a könyvről

Teljes leírás

Érdekelheti

Azok a vásárlók, akik ezt a könyvet megvásárolták, a következőket is megvásárolták