Könyv Christian Boltanski Didier Semin

Christian Boltanski

Szerző: Didier Semin
Nyelv: Angol
Kötés: Puha kötésű
Elérhetőség: 50 % esély
Keressük az egész világon
19 592 Ft
On of France's most important contemporary artists, Christian Boltanski came to prominence with majo...

Információk a könyvről

Szerző
Nyelv
Angol
Kötés
Könyv - Puha kötésű
Kiadva
1997
oldal
160
EAN
9780714836584
ISBN
0714836583
Enbook ID
04119723
Súly
1024
Méretek
252 x 288 x 18

Teljes leírás

On of France's most important contemporary artists, Christian Boltanski came to prominence with major exhibitions at such important international venues at the Centre Pompidou, Paris (1984) and the Whitechapel Art Gallery, London, (1990). For his magical installations, Boltanski collects old photos, clothing and personal objects, which are presented as archival artefacts tracing individual lives. His own autobiogaphy is itself presented as fiction, particularly in his early 'mischevious' performative work, which invents a self-identity using found photos. Boltanski often uses everyday documents - passport photographs, school portraits and family albums - to memorialize ordinary people: the unknown children killed in the Holocaust, the citizens of a Swiss town or the employees of a Halifax carpet factory. The spaces he creates, often filled with flickering lights and shadows, lie somewhere between little theatres and churches, generating a sense of hushed wonder and a poignant evocation of loss. Boltanski's work has been presented in museums and public sites all over the world, including the Lyric Theatre, London, where the artist devised the stage sets and lighting for Schubert's Winter Reise in 1996. Paris-based art historian Didier Semin follows Boltanski's work from the fictional biographies through to recent installations in the context of cultural and art historical developments in post-war France. Boltanski discusses his work and the role of the artist with art historian Tamar Garb, author of Sisters of the Brush (1994) and co-editor of The Jew in the Text (1995). Donald Kuspit, contributing editor to Artforum, focuses on Monument: The Children of Dijon, a work that consists of dozens of eerily lit, anonymous, black and white photographs of children long since lost to adulthood. Boltanski has chosen texts by master postmodern novelist Georges Perec, written in an inventory-like style that mirrors that of the artist. The book also features a selection of Boltanski's own writings, a beguiling and provocative blend of truth and fiction.

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