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Könyv Classics for the Masses Pauline Fairclough

Classics for the Masses

Shaping Soviet Musical Identity Under Lenin and Stalin

Szerző: Pauline Fairclough
Nyelv: Angol
Kötés: Kemény kötésű
Kiadó: Yale University Press
Elérhetőség: Beszállítói készleten
Küldés 14-20 napon belül
13 767 Ft
Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity...

Információk a könyvről

Szerző
Pauline Fairclough
Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
2016
oldal
296
EAN
9780300217193
ISBN
0300217196
Enbook ID
09531653
Kiadó
Yale University Press
Súly
638
Méretek
166 x 244 x 33

Teljes leírás

Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how "undesirable" repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were "canonized" during different, distinct periods in Stalinist culture. Fairclough's fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.

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