Controlling Readers

Guillaume de Machaut and His Late Medieval Audience

Szerző: Deborah L. McGrady

Nyelv:

Kötés: Puha kötésű

Kiadó: University Of Toronto Press

Elérhetőség: Beszállítói készleten

Küldés 10-18 napon belül

17 334 Ft

Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established mo...

Információk a könyvről

Szerző

Deborah L. McGrady

Nyelv

Angol

Kötés

Könyv - Puha kötésű

Kiadva

2012

oldal

368

EAN

9781442615540

Enbook ID

04797378

Kiadó

University Of Toronto Press

Súly

592

Méretek

231 x 157 x 22

Teljes leírás

Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established models for much of the vernacular poetry written by subsequent generations, and he was instrumental in institutionalizing the lay reader. In particular, his longest and most important work, the Voir dit, calls attention to the coexistence of public and private reading practices through its intensely hybrid form: sixty-three poems and ten songs invite an oral performance, while forty-six private prose letters as well as elaborate illustration and references to it's own materiality promote a physical encounter with the book.In Controlling Readers, Deborah McGrady uses Machaut's corpus as a case study to explore the impact of lay literacy on the culture of late-medieval Europe. Arguing that Machaut and his bookmakers were responding to contemporary debates surrounding literacy, McGrady first accounts for the formal invention of the lay reader in medieval art and literature, then analyses Machaut and his bookmakers' innovative use of both narrative and bibliographical devices to try to control the responses of his readers and promote intimate and sensual reading practices in place of the more common public performances of court culture. McGrady's erudite and exhaustive study is key to understanding Machaut, his works, and his influence on the history of reading in the fourteenth-century and beyond.

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Controlling Readers

Guillaume de Machaut and His Late Medieval Audience

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