Angol
Dead reckoning—used by navigators to calculate their position using a record of speed, drift, and the direction travelled relative to a last known location—is the metaphor at the heart of Jude Nutter’s fourth collection, where poems are constantly plotting new positions of departure as they reach back into both human and geological history. Deeply philosophical, the sustained, complex narratives of Dead Reckoning stay grounded in (and through) the body, and reach outward from various locations in time and space—the contemplations of fossils and cave art, the landscapes of Europe haunted by war, the feral world of loss, those points in childhood when “Eden” was ruptured by an awareness of sexuality and history. Following the literal and metaphorical reverberations of these journeys, this collection, which is both a record and a guide, asks us to contemplate how we locate ourselves in, and lay claim to, our own lives.
