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Designing Russian Cinema

Name: Designing Russian Cinema
Brand: Bloomsbury Publishing
SKU: 9781350246362
Price: 42719 HUF
Availability: InStock

The Production Artist and the Material Environment in Silent Era Film

Szerző: REES ELEANOR

Nyelv:

Kötés: Kemény kötésű

Kiadó: Bloomsbury Publishing

Elérhetőség: Beszállítói készleten

Küldés 10-18 napon belül

42 719 Ft

This book highlights the significant role that production artists played when Russian cinema was sti...

Információk a könyvről

Szerző

REES ELEANOR

Nyelv

Angol

Kötés

Könyv - Kemény kötésű

Kiadva

2023

oldal

256

EAN

9781350246362

ISBN

1350246360

Enbook ID

36679238

Kiadó

Bloomsbury Publishing

Súly

438

Méretek

138 x 216

Teljes leírás

This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema’s connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement.Drawing on set design sketches, archival documents and film-makers’ memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost´, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations.

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Designing Russian Cinema

The Production Artist and the Material Environment in Silent Era Film

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