Angol
If critical momentum in European philosophy and theory has seemed to shift away from deconstruction over the past decade or so, nevertheless the indebtedness of contemporary key thinkers to Derrida's writing and the entire project of deconstruction is unquestionable, regardless of whether it is always fully acknowledged, and whether or not Derrida's influence manifests itself as a source of inspiration or the grounds of critical antagonism or opposition. Many of those who now reject deconstruction continue to write texts that engage with Derrida's work, whether dismissively or not. In this context, how best to recall deconstruction as a continuing 'voice' across the various fields of the critical humanities, theory and philosophy? The starting point for this collection of essays is the idea that, rather than reduce deconstruction to an object of historical importance or memory, one might more fruitfully analyze its significance in terms of complex matrices of desire in which it continues to figure; ceaselessly provoked in this way, deconstruction may neither be dismissed as simply 'dead', nor unproblematically defended as still alive and well. Instead, it asks to be repositioned on the threshold of life-death (about which deconstruction has always had much to say), an intricate threshold which profoundly complicates its relationship to the 'present' field of critical thought. This is a field which-according to a highly complex set of desires-still struggles to memorialize, to inter, or indeed to cremate, reduce to ashes, the deconstructive corpus.
