Angol
"Emptiness and Temporality" is an account of classical Japanese poetics based, for the first time, on the two concepts of emptiness (ku) and temporality (mujo) that ground the medieval practice and understanding of poetry. It clarifies the unique structure of the collective poetic genre called renga (linked poetry) by analyzing Shinkei's writings, particularly "Sasamegoto". The author engages contemporary Western theory, especially Derrida's concepts of differance and deconstruction, to illuminate the progressive displacement that constitutes the dynamic poetry of the renga link as the sequence moves from verse 1 to 100. She also draws on phenomenology, Heidegger's "Being and Time", Bakhtin's notion of the dialogical, Gadamer's "Truth and Method", hermeneutics, and the concept of translation to delve into philosophical issues of language, mind, and the creative process.Furthermore, the book traces the development of the Japanese sense of the sublime and ineffable (yugen and its variants) from the identification, by earlier waka poets like Shunzei and Teika, of their artistic practice with Buddhist meditation (Zen or shikan), and of superior poetry as the ecstatic figuration of the Dharma realm. "Emptiness and Temporality" constitutes a radically new definition of Japanese poetry, and reveals how the spiritual or moral dimension is essential to an understanding of traditional Japanese aesthetic ideals and practices.
