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Könyv Free Jazz/Black Power Philippe Carles

Free Jazz/Black Power

Szerző: Philippe Carles, Jean-Louis Comolli
Nyelv: Angol
Kötés: Kemény kötésű
Kiadó: University Press of Mississippi
Elérhetőség: Beszállítói készleten
Küldés 10-18 napon belül
42 533 Ft
In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote "Free Jazz/Black Power,...

Információk a könyvről

Szerző
Philippe Carles, Jean-Louis Comolli
Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
2015
oldal
256
EAN
9781628460391
ISBN
1628460393
Enbook ID
08013735
Kiadó
University Press of Mississippi
Súly
544
Méretek
161 x 238 x 26

Teljes leírás

In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote "Free Jazz/Black Power," a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound's ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression.This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions--free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a music that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases it changed the way musicians thought about and played jazz. "Free Jazz / Black Power" remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and also realigned that zeitgeist.

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