Könyv Guilty Pleasures Pamela Robertson

Guilty Pleasures

Feminist Camp from Mae West to Madonna

Szerző: Pamela Robertson
Nyelv: Angol
Kötés: Kemény kötésű
Elérhetőség: 50 % esély
Keressük az egész világon
50 486 Ft
"Camp," Mae West told "Playboy," "is the kinda comedy where they imitate me." But what was West doin...

Információk a könyvről

Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
1996
oldal
208
EAN
9780822317517
Enbook ID
04936639
Súly
531
Méretek
229 x 152 x 24

Teljes leírás

"Camp," Mae West told "Playboy," "is the kinda comedy where they imitate me." But what was West doing, if not camp itself? "Guilty Pleasures" puts women back into the history of camp, a story long confined to gay male practice. Emphasizing the distinctive roles women have played as producers and consumers of camp, Pamela Robertson links her subject to feminist discussions of gender parody, performance, and spectatorship. Her book offers a heady tour of social and cultural criticism at its most interesting, and American culture at its most flamboyant.Robertson grounds her theoretical discussion of female performance and spectatorship in detailed studies of figures such as Mae West, Joan Crawford, and Madonna. She locates these figures in turn within a tradition of feminist camp--a female form of aestheticism related to masquerade and rooted in burlesque, parallel to but different from gay male camp. Through analyses of films from "Gold Diggers of 1933" to "Johnny Guitar," as well as video and television, Robertson shows how the gold digger is to feminist camp what the dandy is to gay male camp--its original personification and defining voice. Set against a backdrop of social history, her analysis demonstrates that feminist camp flourishes during periods of antifeminist backlash in America, and that it reflects a working-class sensibility particularly attuned to changing attitudes toward women's work and sexuality.Appealing to a wide range of scholars spanning the fields of film and mass culture, feminism, gay/lesbian/queer studies, and cultural studies, "Guilty Pleasures" will also attract an audience of general readers interested in camp and popular culture.

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