Könyv Isabelle Eberhardt and North Africa Lynda Chouiten

Isabelle Eberhardt and North Africa

Nomadism as a Carnivalesque Mirage

Szerző: Lynda Chouiten
Nyelv: Angol
Kötés: Kemény kötésű
Kiadó: Lexington Books
Elérhetőség: Beszállítói készleten
Küldés 10-18 napon belül
49 763 Ft
As a woman who traversed the North African Orient in male costume, who spoke Arabic as well as Frenc...

Információk a könyvről

Szerző
Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
2014
oldal
246
EAN
9780739185926
ISBN
0739185926
Enbook ID
05335246
Súly
522
Méretek
232 x 159 x 18

Teljes leírás

As a woman who traversed the North African Orient in male costume, who spoke Arabic as well as French, and who professed Islam while transgressing many of its instructions, Isabelle Eberhardt seems to fit within Mikhail Bakhtin's definition of the carnivalesque as the impulse to blend that which is usually kept separate by artificial boundaries and hierarchies. Nevertheless, this study demonstrates that her evolution in the Maghreb is carnivalesque only in appearance. Despite her transvestism, the writer left unquestioned the traditional definitions of masculinity and femininity; it is her subscription to the patriarchal equation of maleness with power and womanhood with weakness which makes her borrow a masculine identity. In a similar way, her appropriation of several elements of Oriental culture does not prevent her from reproducing age-old Orientalist stereotypes. As portrayed in her texts, the natives are either aestheticised as picturesque figures from a bygone age or denigrated as uncivilised, dark-minded creatures. And because Orientalism, as Edward Said has famously argued, is but a textual manifestation of colonialism, Eberhardt's Orientalist texts make her the accomplice of the colonialist project, a project which she also served by acting as a mediator between General Lyautey and native tribes. In discussing Eberhardt's involvement in the colonial mission and her perpetuation of the patriarchal and Orientalist traditions, this study questions the image of rebel-figure that is usually assigned to her. Instead, it shows the writer's literary and political gestures to be embedded in a marked quest for empowerment through the double (literary and political) conquest of the Orient.

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