Patron's Payoff

Szerző: Jonathan K. Nelson, Richard J. Zeckhauser

Nyelv:

Kötés: Puha kötésű

Kiadó: Princeton University Press

Elérhetőség: Beszállítói készleten

Küldés 8-11 napon belül

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In The Patron's Payoff, Jonathan Nelson and Richard Zeckhauser apply the innovative methods of infor...

Információk a könyvről

Szerző

Jonathan K. Nelson, Richard J. Zeckhauser

Nyelv

Angol

Kötés

Könyv - Puha kötésű

Kiadva

2014

oldal

256

EAN

9780691161945

ISBN

0691161941

Enbook ID

04642034

Kiadó

Princeton University Press

Súly

489

Méretek

178 x 255 x 14

Teljes leírás

In The Patron's Payoff, Jonathan Nelson and Richard Zeckhauser apply the innovative methods of information economics to the study of art. Their findings, written in highly accessible prose, are surprising and important. Building on three economic concepts--signaling, signposting, and stretching--the book develops the first systematic methodology for assessing the meaning of art patronage and provides a broad and useful framework for understanding how works of art functioned in Renaissance Italy. The authors discuss how patrons used conspicuous commissions to establish and signal their wealth and status, and the book explores the impact that individual works had on society. The ways in which artists met their patrons' needs for self-promotion dramatically affected the nature and appearance of paintings, sculptures, and buildings. The Patron's Payoff presents a new conceptual structure that allows readers to explore the relationships among the main players in the commissioning game--patrons, artists, and audiences--and to understand how commissioned art transmits information. This book facilitates comparisons of art from different periods and shows the interplay of artists and patrons working to produce mutual benefits subject to an array of limiting factors. The authors engage several art historians to look at what economic models reveal about the material culture of Italy, ca. 1300?1600, and beyond. Their case studies address such topics as private chapels and their decorations, donor portraits, and private palaces. In addition to the authors, the contributors are Molly Bourne, Kelley Helmstutler Di Dio, Thomas J. Loughman, and Larry Silver.

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