Könyv Paul's Visual Piety J. M. F. Heath

Paul's Visual Piety

The Metamorphosis of the Beholder

Szerző: J. M. F. Heath
Nyelv: Angol
Kötés: Kemény kötésű
Elérhetőség: Beszállítói készleten
Küldés 14-21 napon belül
81 192 Ft
This book is at the interface between Visual Studies and Biblical Studies. For several decades, sch...

Információk a könyvről

Szerző
Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
2013
oldal
328
EAN
9780199664146
ISBN
0199664145
Enbook ID
04867233
Súly
704
Méretek
159 x 242 x 30

Teljes leírás

This book is at the interface between Visual Studies and Biblical Studies. For several decades, scholars of visuality have been uncovering the significance of everyday visual practices, in the sense of learnt habits of viewing and the assumptions that underpin them. They have shown that these play a key role in forming and maintaining relationships in religious devotion and in social life. The 'Visual Studies' movement brought issues such as these to the attention of most humanities disciplines by the end of the twentieth century, but until very recently made little impact on Biblical Studies. The explanation for this 'disciplinary blind-spot' lies partly in the reception of St Paul, who became Augustine's inspiration for platonising denigration of the material world, and Luther's for faith through 'scripture alone'. In the hands of more radical Reformers, the Word was soon vehemently opposed to the Image, an emphasis that was further fostered in the philologically-inclined university faculties where Biblical Studies developed. Yet Paul's piety is visual as well as verbal, even aside from his mystical visions. He envisages a contemplative focus on certain this-worldly sights as an integral part of believers' metamorphosis into Christ-likeness. This theme runs through Romans, but finds its most concise expression in his correspondence with the Corinthians: 'We all, with unveiled face, beholding in a mirror the glory of the Lord, are being metamorphosed into the same image, from glory to glory, as from the Lord, the Spirit' (2 Cor 3:18). Richly ambiguous and allegorical as this is, Paul shortly afterward defines an earthly site where this transformative, sacred gaze occurs. He insists that not mere death, but the death of Jesus is 'made manifest' in his suffering apostolic flesh. Rightly perceived, this becomes a holy spectacle for the sacred gaze, working life in those who behold in faith, but undoing those who see but do not perceive.

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