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Könyv Representing Female Artistic Labour, 1848-1890 Patricia Zakreski

Representing Female Artistic Labour, 1848-1890

Szerző: Patricia Zakreski
Nyelv: Angol
Kötés: Kemény kötésű
Kiadó: Taylor & Francis Ltd
Elérhetőség: Beszállítói készleten
Küldés 14-21 napon belül
91 987 Ft
Patricia Zakreski's interdisciplinary study draws on fiction, prose, painting, and the periodical pr...

Információk a könyvről

Szerző
Patricia Zakreski
Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
2006
oldal
232
EAN
9780754651031
ISBN
0754651037
Enbook ID
04679885
Kiadó
Taylor & Francis Ltd
Súly
478
Méretek
163 x 244 x 18

Teljes leírás

Patricia Zakreski's interdisciplinary study draws on fiction, prose, painting, and the periodical press to expand and redefine our understanding of women's relationship to paid work during the Victorian period. While the idea of 'separate spheres' has largely gone uncontested by feminist critics studying female labour during the nineteenth century, Zakreski challenges this distinction by showing that the divisions between public and private were, in fact, surprisingly flexible, with homes described as workplaces and workplaces as homes. By combining art with forms of industrial or mass production in representations of the respectable woman worker, writers projected a form of paid creative work that was not violated or profaned by the public world of the market in which it was traded. Looking specifically at sewing, art, writing, and acting, Zakreski shows how these professions increasingly came to be defined as 'artistic' and thus as suitable professions for middle-class women, and argues that the supposedly degrading activity of paid work could be transformed into a refining experience for women. Rather than consigning working women to the margins of patriarchal culture, then, her study shows how representations of creative women, by authors such as Elizabeth Barrett Browning, Dinah Craik, Charles Dickens, Anthony Trollope, and Charlotte Yonge, participated in and shaped new forms of mainstream culture.

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