Angol
Kendall Monroe is handcuffed to a car in the desert. Is this life imitating art or art imitating life? The only thing he's sure of is that the situation he finds himself in is a copy of a scene he filmed earlier, only this time, there is no director yelling "cut" and no crew to rescue him. Terrified for his life, Kendall takes comfort remembering happier times with his long-time lover, Johnny. He hasn't seen Johnny in weeks since Johnny stayed behind to finish his latest best-selling novel. As he attempts to survive scorching-hot days and freezing nights, Kendall tries to figure out who did this to him. Could it be Johnny, or the research assistant he suspects Johnny is having an affair with? Both options fill him with bitterness. Or is it a more likely suspect? Kendall has a stalker who sends him flowers and always seems to know where he is. But what does this stranger have to gain by leaving Kendall stranded in the middle of nowhere?
