Több mint 4 millió cím angol és más nyelveken! Fedezd fel új történetedet még ma!

Rendelés állapotának ellenőrzése

Kapcsolat

Symbolic Imagination

Coleridge and the Romantic Tradition

Szerző: Robert J. Barth, James P. McIntyre

Nyelv:

Kötés: Puha kötésű

Kiadó: Fordham University Press

Elérhetőség: Beszállítói készleten

Küldés 8-11 napon belül

13 808 Ft

The original edition of this book studied the nature of symbol in Coleridge's work, showing that it...

Információk a könyvről

Szerző

Robert J. Barth, James P. McIntyre

Nyelv

Angol

Kötés

Könyv - Puha kötésű

Kiadva

2001

oldal

176

EAN

9780823221134

ISBN

082322113X

Enbook ID

04940507

Kiadó

Fordham University Press

Súly

232

Méretek

216 x 140 x 12

Teljes leírás

The original edition of this book studied the nature of symbol in Coleridge's work, showing that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. Symbol was for Coleridge essentially a religious reality, that participates in the nature of a sacrament as an encounter between material and spiritual reality. The author shows how Wordsworth and Coleridge developed a poetry, unlike that of the eighteenth century, based on symbolic imagination. He then related this symbolic poetry to the tradition of romanticism itself Richard Harter Fogle wrote of the original edition: This is a just, graceful, and penetrating book. Considering the complexity of the material, it is lucid and often eloquent. Father Barth's interpretation of Coleridge's doctrine of symbol is essentially original, as are his illustrative readings from the poems. His substantial essay moves harmoniously from Coleridge's particular insights to their wider implications for romanticism.In this new edition, the author has enlarged the scope of his study, first reviewing in an introductory chapter the important scholarship of the past twenty years on symbol and imagination. He then goes on to give his work a deeper theological foundation, and to extend his argument to embrace what he calls Coleridge's scriptural imagination.As in the original edition, he concludes that symbol is a phenomenon profoundly linked with the experience of romanticism itself and with a fundamental change in religious sensibility that has echoes even in our own time.