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'Transcending Quotation'

Name: 'Transcending Quotation'
Brand: VDM Verlag
SKU: 9783639099997
Price: 23712 HUF
Availability: InStock

Cross-cultural Musical Representation in Mauricio Kagel's Die Stücke der Windrose für Salonorchester

Szerző: Björn Heile

Nyelv:

Kötés: Puha kötésű

Kiadó: VDM Verlag

Elérhetőség: Kiadói készleten rendelésre

Küldés 17-27 napon belül

23 712 Ft

In this doctoral dissertation, originally from 2001,§Björn Heile analyses Mauricio Kagel s groundbre...

Információk a könyvről

Szerző

Björn Heile

Nyelv

Angol

Kötés

Könyv - Puha kötésű

Kiadva

2008

oldal

180

EAN

9783639099997

ISBN

3639099990

Enbook ID

06819007

Kiadó

VDM Verlag

Súly

249

Méretek

152 x 229 x 10

Teljes leírás

In this doctoral dissertation, originally from 2001,§Björn Heile analyses Mauricio Kagel s groundbreaking§cycle Die Stücke der Windrose für Salonorchester§(1989-95) by relating it to Mikhail Bakhtin s theory§of dialogics and the postcolonial criticism of Edward§Said. In a wide-ranging study, which includes§in-depth investigations of primary sources such as§the sketch materials and an interview with the§composer, Heile develops a typology of cross-cultural§musical representation which serves as the framework§for a discussion of the different ways Kagel engages§with his source materials. Throughout, the author§moves between such issues as compositional technique,§aesthetic questions, such as Kagel s challenge to§traditional notions of authorship, and the§ideological implications of cross-cultural musical§representation, which are interpreted in the light of§recent discourses. By developing pioneering§methodological approaches to cross-cultural§composition, which has become a prominent feature of§contemporary Western concert music, the book serves§as a significant and innovative contribution to§current discourses surrounding the musical§representation of otherness . In this doctoral dissertation, originally from 2001,§Björn Heile analyses Mauricio Kagel s groundbreaking§cycle Die Stücke der Windrose für Salonorchester§(1989-95) by relating it to Mikhail Bakhtin s theory§of dialogics and the postcolonial criticism of Edward§Said. In a wide-ranging study, which includes§in-depth investigations of primary sources such as§the sketch materials and an interview with the§composer, Heile develops a typology of cross-cultural§musical representation which serves as the framework§for a discussion of the different ways Kagel engages§with his source materials. Throughout, the author§moves between such issues as compositional technique,§aesthetic questions, such as Kagel s challenge to§traditional notions of authorship, and the§ideological implications of cross-cultural musical§representation, which are interpreted in the light of§recent discourses. By developing pioneering§methodological approaches to cross-cultural§composition, which has become a prominent feature of§contemporary Western concert music, the book serves§as a significant and innovative contribution to§current discourses surrounding the musical§representation of otherness .