Könyv Tumbling Ruins Henrike Naumann

Tumbling Ruins

Nyelv: Angol
Kötés: Puha kötésű
Elérhetőség: Beszállítói készleten alacsony példányszámban
Küldés 3-6 napon belül
5 777 Ft
How Evil Is Architecture? In Tumbling Ruins, the artist Henrike Naumann, the art historian Angela S...

Információk a könyvről

Nyelv
Angol
Kötés
Könyv - Puha kötésű
Kiadva
2021
oldal
111
EAN
9783954763597
ISBN
3954763591
Enbook ID
32976991
Súly
244
Méretek
137 x 206 x 7

Teljes leírás

How Evil Is Architecture? In Tumbling Ruins, the artist Henrike Naumann, the art historian Angela Schönberger, and the architect and design theorist Andreas Brandolini develop a project that draws discursive connections between Naumann's work 'Ruinenwert' (2019), Schönberger's research on Albert Speer, and Brandolini's postmodernist design theory. In the early 1990s, the artist Henrike Naumann (b. Zwickau, 1984, lives and works in Berlin) watched the far-right ideology as the predominant youth culture in her hometown. Her work reflects on the history of right-wing terrorism in Germany and the widespread acceptance of racist ideas in large segments of the population today. She scrutinizes the mechanisms of radicalization and how they tie in with personal experiences and youth culture. Studying the friction between antagonistic political convictions sparked by the ambivalence of personal aesthetic tastes, Naumann builds immersive installations that combine video and sound with scenographic settings. Angela Schönberger (b. Kaufbeuren, 1945) wrote her dissertation in the 1970s on the new Reich Chancellery building as a central scene of the Nazis' crimes and on Albert Speer's theory of ruin value, interviewing the architect for her research. After the fall of the Wall, the former managing director of the Internationales Design Zentrum Berlin turned her attention to the structural transformation of the former East Germany and the emergence of new products and designs. Schönberger was director of the Berlin State Museums' Kunstgewerbemuseum, or Museum of Decorative Arts, until 2010. Andreas Brandolini (b. Taucha, 1951; lives and works in Saarbrücken and Petit-Réderching, France) was a cofounder of the avant-gardist New German Design of the 1980s. In 1987, his seminal German Living Room was featured at documenta 8; Jasper Morrison and Axel Kufus were his partners in the studio Utilism International. As a writer and lecturer, Brandolini calls for furniture that elicits or allows for "stories" and adamantly rejects the dictates of functionalism. About the series KONTEXT, a series produced by DISTANZ Verlag, brings together artists and writers for an exchange between the worlds of writing and contemporary art on the issues that concern us today.

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