Angol
If photos are messages, then Hans Fahrmeyer is one of the most prolific
messengers of today and of classic times. From his apprentice days of
learning his photography craft in the lost art of darkroom developing, you
know this man wrestle more out of an image than most emerging and long
time photographers. It's his use of lens, light, experience and passion
which massages his images to an unexpected portrayal.
But Mr. Fahrmeyer is also part sociologist , psychologist, comedian and life
coach. Watching him in the studio or on location, he can either be the fly
on the wall when he has to be, or the sorcerer, pulling out the best of the
talent in front of his lens.
His latest book, Water Moves, is an illuminating dance of beautiful male
images married with mirrors, water, sensuality and balance. There's a
blend of powerful images with technical insight. The images become
forceful yet arresting. He has produced a collection that mixes the
casualness of the snapshot with the artistry of classical photographer.
His subjects capture the eye for their immediacy, beauty, and movement.
His three previous books (Colors of Men, Between Men and Women, and
Between Men) reflect his stylization. But the new images in Water Moves
are even more lively and stronger then the earlier ones. The photos are a
timeless provocation as Hans demonstrates the gravity of his models into
an art form. Fahrmeyer's use of beautiful muscled men weaves with the
reflective properties of water to create memorable masterpieces.
Water Moves makes one yearn for an encore. In cinema, we know by the
last scene, there's a sequel planned. By the time you get to the last page,
you're hoping for the release of more from Hans Fahrmeyer. Well done.
