Könyv Writing and Reading Royal Entertainments Gabriel Heaton

Writing and Reading Royal Entertainments

From George Gascoigne to Ben Jonson

Szerző: Gabriel Heaton
Nyelv: Angol
Kötés: Kemény kötésű
Elérhetőség: Kiadói készleten rendelésre
Küldés 17-26 napon belül
85 906 Ft
This major new study of Elizabethan and Jacobean royal entertainments, including country house enter...

Információk a könyvről

Szerző
Nyelv
Angol
Kötés
Könyv - Kemény kötésű
Kiadva
2010
oldal
316
EAN
9780199213115
ISBN
0199213119
Enbook ID
04529519
Súly
560
Méretek
146 x 216 x 21

Teljes leírás

This major new study of Elizabethan and Jacobean royal entertainments, including country house entertainments, tiltyard speeches, and court masques, is the first to look in detail at the evidence provided by the surviving material texts. Drafts, royal presentation manuscripts, widely-circulating scribal copies, and printed pamphlets are all carefully placed in their cultural context, and the medium of manuscript is shown to have been at least as important as print for these texts' circulation. From the close collaboration between commissioning host and hired writer, to the varied interpretations imposed by copyists and publishers, entertainments were written and read within a complex social nexus: far from being royal propaganda, they reflected the distinct and sometimes competing agendas of monarchs, commissioning hosts, authors, publishers, scribal intermediaries, and readers. Writing and Reading Royal Entertainments explores this interpretative community through a range of texts. The first part of the book looks at Elizabethan entertainments: the Woodstock entertainment of 1575 (Chapter I); tiltyard speeches (Chapter II); and the distinctive features of printed pamphlets and scribal copies, notably of the 1602 Harefield entertainment (Chapter III). The second part of the book is mostly concerned with Ben Jonson's work for the Jacobean court, with chapters on the Merchant Taylors' entertainment (Chapter IV) and the Theobalds' entertainment (Chapter V). The final chapter looks at the texts of court masques, especially in the light of Jonson's understanding of the poet's elevated role. The book's conclusion takes the story of these material texts beyond the early modern period and looks at how they have been collected, bought, and sold over the centuries.

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